Critical animal and media studies: Expanding the understanding of oppression in communication research

Critical and communication studies have traditionally neglected the oppression conducted by humans towards other animals. However, our (mis)treatment of other animals is the result of public consent supported by a morally speciesist-anthropocentric system of values. Speciesism or anthroparchy, as much as any other mainstream ideologies, feeds the media and at the same time is perpetuated by them. The goal of this article is to remedy this neglect by introducing the subdiscipline of Critical Animal and Media Studies. Critical Animal and Media Studies takes inspiration both from critical animal studies – which is so far the most consolidated critical field of research in the social sciences addressing our exploitation of other animals – and from the normative-moral stance rooted in the cornerstones of traditional critical media studies. The authors argue that the Critical Animal and Media Studies approach is an unavoidable step forward for critical media and communication studies to engage with the expanded circle of concerns of contemporary ethical thinking

Taping patients with clinical signs of subacromial impingement syndrome: the design of a randomized controlled trial

<p>Abstract</p> <p>Background</p> <p>Shoulder problems are a common complaint of the musculoskeletal system. Physical therapists treat these patients with different modalities such as exercise, massage, and shoulder taping. Although different techniques have been described, the effectiveness of taping has not yet been established. The aim of this study is to assess the effectiveness and cost-effectiveness of usual physical therapy care in combination with a particular tape technique for subacromial impingement syndrome of the shoulder compared to usual physical therapy care without this tape technique in a primary healthcare setting.</p> <p>Methods and design</p> <p>An economic evaluation alongside a randomized controlled trial will be conducted. A sample of 140 patients between 18 and 65 years of age with a diagnosis of subacromial impingement syndrome (SAIS) as assessed by physical therapists will be recruited. Eligible patients will be randomized to either the intervention group (usual care in combination with the particular tape technique) or the control group (usual care without this tape technique). In both groups, usual care will consist of individualized physical therapy care. The primary outcomes will be shoulder-specific function (the Simple Shoulder Test) and pain severity (11-point numerical rating scale). The economic evaluation will be performed using a societal perspective. All relevant costs will be registered using cost diaries. Utilities (Quality Adjusted Life Years) will be measured using the EuroQol. The data will be collected at baseline, and 4, 12, and 26 weeks follow-up.</p> <p>Discussion</p> <p>This pragmatic study will provide information about the effectiveness and cost-effectiveness of taping in patients presenting with clinical signs of SAIS.</p> <p>Trial registration</p> <p>Trial registration number: <a href="http://www.trialregister.nl/trialreg/admin/rctview.asp?TC=2575">NTR2575</a></p

Of human birds and living rocks: remaking aesthetics for post-human worlds

Geographers have long pondered post-human worlds. And yet, whilst such analyses have explored the natural and physical sciences as a means of articulating the relationalities and commonalities that span species and kingdoms, an explicit consideration of the aesthetic has been largely absent. To a degree, this is because the aesthetic has been understood as a `humanist remain'. Here, we want to make a stronger claim for the value of the aesthetic as a stepping off point for thinking through post-human geographies. We begin by acknowledging a productive tension within Kantian and post-Kantian accounts of sense-making: that is, a series of questions that speak directly to the post-human have been raised by dwelling upon how the aesthetic can be related to bodily needs and desires, as well as a feeling that emerges from the exercise of judgement. Then, we make the argument that, as a means of developing our aesthetic sensibility, geography can usefully further its engagement with art theory and practice. This leads us to ground our own exploration of the post-human in a discussion of two projects created by artist Perdita Phillips. Moving from a consideration of bowerbirds in the savanna to thrombolites in a saline lake, and from evolutionary biology to a Deleuzo -Guattarian geophilosophy, we ask, where is the artistry